Merlee Vergara
Doris Cacoilo
Studio Research
16, February, 2023
Danielle Scott: Kinfolk
The work of artist Danielle Scott is both thought-provoking and deeply meaningful. Through her mixed assemblage pieces "Celia and Bazile Churchill" and "Hatwell Grey Bernaby and Eugene," Scott has created powerful images that explore our lives' interconnectivity and identities. Her works are vivid and striking, and through her use of colors, shapes, and textures, she can tell stories of shared lineage and relationships between people. The research process into each piece further speaks to her dedication to her craft and ability to capture a moment that transcends boundaries and encourages reflection. Scott's works take on an even greater significance when viewed in the context of our readings. Susan Sontag's "On Photography" and bell hooks' "The Oppositional Gaze" speak to images' power and meaning. At the same time, Tris McCall's "The Beauty in Struggle" touches upon the importance of exploring social justice issues through art. In each of these works, we can better understand the power and meaning behind Scott's pieces. We can appreciate the importance of her work in the broader discussion of identity and politics.
Recently, I had the opportunity to view two works of art at a local gallery by the artist Danielle Scott. The two works are "Celia and Bazile Churchill" and "Hatwell Grey Bernaby and Eugene." Both works are mixed assemblage images depicting mother and child in one case and four boys in another (Sontang). At first glance, both pieces are incredibly striking, vivid, and thought-provoking. The colors, shapes, and textures combine to create powerful works of art that transcend time and place and encourage a reflection of our lives and our identities. The artist's statement for these two images provides a deeper understanding of her work and thought process. Scott describes her work as an attempt to "share stories of ancestral lines, of broken and intersecting threads of histories, migrations, and relationships between people." She further describes combining photography, drawing, sculpture, and found objects to create her works, "uncovering and uncovering again." Her research process involves nearly a year of traveling, researching, and collecting documents and objects that she then works into her art.
In "Celia and Bazile Churchill," Scott's research process is evidenced through the intricate and detailed patterns in the image. The image portrays a mother and baby together in a tender, intimate moment. Various colors and shapes surround them. All meant to symbolize their shared family history (Sontang). The vibrant colors, textures, and symbols bring to life the deep connection between the mother and child and allude to larger ideas of identity and the power of our ancestors. In "Hatwell Grey Bernaby and Eugene," Scott's research can be seen in the profound look of strength, respect, and solidarity that she captures between the four boys. We can sense the emotional power in how they stand together, symbolizing the age-old bond of brotherhood. The surrounding colors and textures represent the generations before them and the greater power of their shared ancestry.
In our readings, we can further appreciate these works of art concerning identity, power, race, gender, and social justice. In Susan Sontag's "On Photography," she writes, "Some photographs are ensnared, as it were, by a power greater than that of the photographer. A photograph you didn't take can make you feel as if you had taken part in an event you weren't present to witness" (Sontang). In both pieces, we can see how Scott's skillful capturing of a particular moment in time enables us to feel as if we have stepped into that moment. We become ensnared in the power of the image and our imaginations and interpretations of the moment illustrated. The second quote, by bell hooks in "The Oppositional Gaze," speaks directly to the racial and gender implications of Scott's work. In her essay, hooks examine how she has been taught to accept and resist certain images of blackness. Hooks declares, "The oppositional gaze both acknowledges and contests the power of the image maker." By looking at both images, we can witness how Scott captures a reality of black life that challenges dominant and stereotypical imaginations and further establishes a power dynamic between the artist and the viewer.
The final quote from Tris McCall's "The Beauty in Struggle" provides us with an understanding of how Scott can use her art to speak to more significant social justice issues. McCall writes, "These works, taken together, show how close we all are to injustice, how quickly things unravel when our neighborhoods are not treated with respect and tenderness (McCall)." In Scott's work, we can witness how she looks at the more difficult realities of our society and finds their beauty and strength, allowing us to confront these issues and stand in solidarity with the subjects of the images.
In the end, these two works of art by Danielle Scott convey powerful messages about identity, power, race, gender, and social justice. Through her research and creative process, we can appreciate how Scott has used found objects and photographs to tell stories of shared histories and connections among us. By examining a selection of quotes from our readings, we can further appreciate the significance of her work in the broader discussion of identity and political power.
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Hatwell, Gray, Bernaby, and Eugene, Mixed Assemblage, 2020 |
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Celia and Bazile Churchill, Mixed Assemblage, 2022 |